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Cerrone - Wikipedia. Marc Cerrone (born 1. Vitry- sur- Seine, near Paris, France) is a French disco drummer, composer, record producer and creator of major concert shows. Cerrone is considered as one of the most influential disco producers of the 7. Europe.[3]He has sold over 3. France alone[4] and eight million copies of Supernature,[5] which is considered his magnum opus.[6] The single "Love in C Minor" (1. No. 3 and stayed on record charts for over two months, chalking up sales of three million copies.

With "Supernature" (1. Cerrone merged symphonic orchestrations with the rigid sounds of synthesizers. At the 1. 97. 8 Billboard Disco Forum, Cerrone took home six awards including Disco Artist of the Year.[7]In addition to Love in C Minor, Cerrone's Paradise and Supernature, Marc Cerrone enjoyed success in Europe with albums such as Cerrone IV: The Golden Touch (1. Where Are You Now (1. The Collector (1.

Human Nature (1. 99. Hysteria (2. 00. 2) and Celebrate (2. Cerrone is also known for his huge live performances. In 1. 99. 1, the French composer was entrusted with the task of laying on the show "Harmony" to celebrate the launch of Japan's first high- definition TV satellite. The rock opera was therein presented to over 8. Tokyo harbour. This event recorded such success that Broadway asked Cerrone to adapt "Harmony" for theatre. In 1. 99. 2, the musical Dreamtime which was based on an original story by Cerrone ran for 1.

Broadway at New York's Ed Sullivan Theater.[8]In a career spanning over four decades, Cerrone has recorded and performed with many prominent musicians, including Nile Rodgers, Toto, Laura Branigan, Jocelyn Brown, La Toya Jackson and Axelle Red. His music has been sampled by artists such as The Avalanches, Bob Sinclar, The Beastie Boys and Run–D. M. C.[9]Son of Italian immigrants, at the age of 1. Otis Redding songs.

Cerrone's passion for music was discouraged by his father, who tried to distract him from his obsession. By the end of the 1. Jimi Hendrix, Carlos Santana and Blood, Sweat & Tears, amongst others. At the age of 1. 7, he convinced Gilbert Trigano to hire rock bands for his holiday clubs: Club Med (Club Mediterranée).

Cerrone became the A& R scout for 4. Club Med vacation villages around the world. His first recordings as a part of Kongas were released on Barclay Records, where he issued his first hit single, "Boom". He is most famous from the Kongas days for "Anikana- O", co- written and produced by Alec R. Costandinos. A remix was done by Tom Moulton for the US release on Salsoul Records. This mix was also used on other international releases.

Love in C Minor[edit]Based in Paris, Cerrone recorded, composed, and performed his solo debut Love in C Minor, again with Costandinos. Released on his own Malligator imprint, and distributed by Warner Filipacci in France, it immediately shocked audiences with its controversial cover. It was later released with a new, tamer cover that took flashes of nude women into the background and replaced them with four arms clenched instead for the American release. It also featured a cover version of Los Bravos "Black Is Black" and "Midnite Lady", an instrumental piece.

Cotillion Records released the album through Warner distribution in the U. S. The album was released un- edited in Canada, using the original master tapes. This was the final collaboration between Cerrone and the Egyptian- born Costandinos, who went on to create dancefloor hits such as "I've Found Love" by Love & Kisses, and the disco opera re- telling of the story of "Romeo and Juliet".

Cerrone's Paradise[edit]Cerrone continued using pieces of photographic and audio erotica when he released his second album, Cerrone's Paradise. It was recorded with Alain Wisniak co writing and arranged by Raymond Donnez, also known as "Don Ray", as part of his arrangement entourage after parting company with Costandinos. The original French album cover featured a naked model draped over the top of a fridge with a jar of white powder spilled in front of it. The U. S. release featured a photo of Cerrone wearing a Hawaiian shirt.

Supernature[edit]His third album, Supernature sold over eight million albums worldwide.[1. A departure from the lush orchestration with electronic instrumentation added to the mix, it was co- written by Alain Wisniak. The lyrics to "Supernature", written by Lene Lovich, have a sci- fi theme: it concerns the rebellion of mutant creatures – created by scientists to end starvation among mankind – against the humans. The album also featured "Sweet Drums", a three- minute- and- ten- second drum breakdown. The original French album cover was again different, having a gatefold opening with nudes in the centre. The music itself was the same."Supernature" was used as the theme music to Thames TV's The Kenny Everett Video Show (as well as being danced to by Hot Gossip in the same show), which was shown across the United Kingdom.[1. The Golden Touch[edit]After the success of Supernature, Cerrone IV: The Golden Touch Cerrone signed up for management with Steven and Martin Machat.

They helped oversee his worldwide career. Steven Machat negotiated a new deal for Cerrone in the US and Canada with Atlantic and CBS outside the US, Canada as well as France. These were major artists deals for that time period. The album got great reviews in the US and Atlantic threw a party in New York City, October 1. The album was another Cerrone U.

S. disco chart- topper. Driven by "Je Suis Music", "Look for Love", and the urban- slanted "Rocket in the Pocket", this album showed his fusion attributes, foreshadowing his future releases. Watch The Quiet Ones Online Hulu. Cerrone then ventured into movie scoring, supplying the music score for Brigade Mondaine, a French film. Alternate mixes of his hits were made, such as "Give Me Love", "Phonic" (originally released as a 1. Crocos label), and "Striptease". The latter was an underground hit, introduced to international audiences through the Disconet subscription service for DJs. It was a key inclusion on "Cerrone by Bob Sinclar". Watch Magic And Bird Online Iflix more.

Cerrone V–XIII[edit]Cerrone V marked a radical departure for the artist, where he made a full- fledged attempt to become the vocalist. Moving from Cotillion to Atlantic Records in the U. S., "Rock Me" was the first single and, although clubs reacted fairly well, it did not reach the heights of his previous releases. Sonically, it bears a resemblance to "Hot Stuff" by Donna Summer. Recorded in Los Angeles with the musicians backing Toto, Cerrone co- wrote "Call Me Tonight" with producer Bob Esty and vocalist/lyricist Michelle Aller. His sixth album, Cerrone VI, was the first of his albums not to be released in the U. S. and was issued on Malligator and Unidisc in Canada.

Unlike his previous albums, this non- rhythmic offering, using new electronic elements such as the Fairlight CMI computer, was more of Cerrone exploring the entire musical landscape. Lyricist Pamela Forrest, a Liverpool- born, Paris- based lyricist, added her magic to the album. The instrumental, Herb Alpert–inspired "Rendezvous" received scattered Adult Contemporary airplay in Canada. Cerrone also returned to the erotic album covers, using an existing Cheyco Leidmann photograph of a bare- breasted blonde in a lawnchair, and inserting himself in the photograph. In a true return to form, "You Are the One" was the cornerstone of his seventh record.

An 1. 1- minute version of "Cherry Tree" remains on the shelf. This album was rumoured to have been recorded twice: first with Stoke- on- Trent, England, native Kay Garner, long the voice of Cerrone's biggest successes; and then with Brown. The version with Garner on the lead vocals has never been released. As a bridge between Cerrone's seventh and eighth albums, a 1.

Tripping on the Moon", was released prior and was a blockbuster import hit. Sung by Kay Garner, and vocally reminiscent in tone of "Supernature", it was never released in North America as a single. It later became a part of Cerrone VIII: Back Track.

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