After six episodes that have been incredible, infuriating, revealing, confusing, and epic, last night’s Game of Thrones finale had a great many things to answer for. Theseus, Duke of Athens, is going to marry Hyppolyta, Queen of the Amazons. Demetrius is engaged with Hermia, but Hermia loves Lysander. Helena loves Demetrius.

Watch movies online for free movie download at Movie2k.to Movie4k.to - Download Free Movies, Stream, Trailers and Cinema Films. A Midsummer Night's Dream is a comedy written by William Shakespeare in 1595/96. It portrays the events surrounding the marriage of Theseus, the Duke of Athens, to. Devoted lifeguard Mitch Buchannon butts heads with a brash new recruit. Together, they uncover a local criminal plot that threatens the future of the Bay. Cast/credits plus additional information about the film. Enjoying "A Midsummer Night's Dream", by William Shakespeare by Ed Friedlander M.D. This website collects no information. If you e-mail me, neither your e-mail.

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A Midsummer Night's Dream - Wikipedia. Oberon, Titania and Puck with Fairies Dancing by William Blake, c. 1. A Midsummer Night's Dream is a comedy written by William Shakespeare in 1. It portrays the events surrounding the marriage of Theseus, the Duke of Athens, to Hippolyta, the former queen of the Amazons.

These include the adventures of four young Athenian lovers and a group of six amateur actors (the mechanicals) who are controlled and manipulated by the fairies who inhabit the forest in which most of the play is set. The play is one of Shakespeare's most popular works for the stage and is widely performed across the world. Characters[edit]Oberon—King of the Fairies. Titania—Queen of the Fairies.

Robin Goodfellow—a puck. Peasblossom, Cobweb, Moth, Mustardseed—fairy servants to Titania. Indian changeling. The play consists of four interconnecting plots, connected by a celebration of the wedding of Duke Theseus of Athens and the Amazon queen, Hippolyta, which is set simultaneously in the woodland and in the realm of Fairyland, under the light of the moon. The play opens with Hermia, who is in love with Lysander, resistant to her father Egeus' demand that she wed Demetrius, whom he has arranged for her to marry. Helena meanwhile pines unrequitedly for Demetrius.

Enraged, Egeus invokes an ancient Athenian law before Duke Theseus, whereby a daughter must marry the suitor chosen by her father, or else face death. Theseus offers her another choice: lifelong chastity while worshipping the goddess Artemis as a nun. Peter Quince and his fellow players Nick Bottom, Francis Flute, Robin Starveling, Tom Snout, and Snug plan to put on a play for the wedding of the Duke and the Queen, "the most lamentable comedy and most cruel death of Pyramus and Thisbe." Quince reads the names of characters and bestows them on the players. Nick Bottom, who is playing the main role of Pyramus, is over- enthusiastic and wants to dominate others by suggesting himself for the characters of Thisbe, the Lion, and Pyramus at the same time. He would also rather be a tyrant and recites some lines of Ercles.

Bottom is told by Quince that he would do the Lion so terribly as to frighten the duchess and ladies enough for the Duke and Lords to have the players hanged. Quince ends the meeting with "at the Duke's oak we meet."In a parallel plot line, Oberon, king of the fairies, and Titania, his queen, have come to the forest outside Athens. Titania tells Oberon that she plans to stay there until she has attended Theseus and Hippolyta's wedding. Oberon and Titania are estranged because Titania refuses to give her Indian changeling to Oberon for use as his "knight" or "henchman," since the child's mother was one of Titania's worshippers. Oberon seeks to punish Titania's disobedience. He calls upon Robin "Puck" Goodfellow, his "shrewd and knavish sprite," to help him concoct a magical juice derived from a flower called "love- in- idleness," which turns from white to purple when struck by Cupid's arrow.

When the concoction is applied to the eyelids of a sleeping person, that person, upon waking, falls in love with the first living thing he perceives. He instructs Puck to retrieve the flower with the hope that he might make Titania fall in love with an animal of the forest and thereby shame her into giving up the little Indian boy. He says, "And ere I take this charm from off her sight,/As I can take it with another herb,/I'll make her render up her page to me."Hermia and Lysander have escaped to the same forest in hopes of eloping. Helena, desperate to reclaim Demetrius's love, tells Demetrius about the plan and he follows them in hopes of killing Lysander.

Helena continually makes advances towards Demetrius, promising to love him more than Hermia. However, he rebuffs her with cruel insults against her. Observing this, Oberon orders Puck to spread some of the magical juice from the flower on the eyelids of the young Athenian man. Instead, Puck mistakes Lysander for Demetrius, not having actually seen either before, and administers the juice to the sleeping Lysander. Helena, coming across him, wakes him while attempting to determine whether he is dead or asleep. Upon this happening, Lysander immediately falls in love with Helena.

Oberon sees Demetrius still following Hermia and is enraged. When Demetrius goes to sleep, Oberon sends Puck to get Helena while he charms Demetrius' eyes. Upon waking up, he sees Helena. Now, both men are in pursuit of Helena.

However, she is convinced that her two suitors are mocking her, as neither loved her originally. Hermia is at a loss to see why her lover has abandoned her, and accuses Helena of stealing Lysander away from her.

The four quarrel with each other until Lysander and Demetrius become so enraged that they seek a place to duel to prove whose love for Helena is the greater. Oberon orders Puck to keep Lysander and Demetrius from catching up with one another and to remove the charm from Lysander so Lysander can return to love Hermia, while Demetrius continues to love Helena. A drawing of Puck, Titania and Bottom in A Midsummer Night's Dream from Act III, Scene ii by Charles Buchel. Meanwhile, Quince and his band of six labourers ("rude mechanicals," as they are described by Puck) have arranged to perform their play about Pyramus and Thisbe for Theseus' wedding and venture into the forest, near Titania's bower, for their rehearsal. Bottom is spotted by Puck, who (taking his name to be another word for a jackass) transforms his head into that of a donkey. When Bottom returns for his next lines, the other workmen run screaming in terror: They claim that they are haunted, much to Bottom's confusion. Determined to await his friends, he begins to sing to himself.

Titania, having received the love- potion, is awakened by Bottom's singing and immediately falls in love with him. She lavishes him with the attention of her and her fairies, and while she is in this state of devotion, Oberon takes the changeling. Having achieved his goals, Oberon releases Titania, orders Puck to remove the donkey's head from Bottom, and arranges everything so Helena, Hermia, Demetrius and Lysander will all believe they have been dreaming when they awaken. Puck distracts Lysander and Demetrius from fighting over Helena's love by mimicking their voices and leading them apart.

Eventually, all four find themselves separately falling asleep in the glade. Once they fall asleep, Puck administers the love potion to Lysander again, claiming all will be well in the morning. The fairies then disappear, and Theseus and Hippolyta arrive on the scene, during an early morning hunt. They wake the lovers and, since Demetrius no longer loves Hermia, Theseus over- rules Egeus's demands and arranges a group wedding. The lovers decide that the night's events must have been a dream.

After they exit, Bottom awakes, and he too decides that he must have experienced a dream "past the wit of man."In Athens, Theseus, Hippolyta and the lovers watch the six workmen perform Pyramus and Thisbe. The performers are so terrible playing their roles that the guests laugh as if it were meant to be a comedy, and everyone retires to bed. Afterwards, Oberon, Titania, Puck, and other fairies enter, and bless the house and its occupants with good fortune. After all the other characters leave, Puck "restores amends" and suggests that what the audience experienced might just be a dream.

Sources[edit]A Midsummer Night's Dream act IV, scene I. Engraving from a painting by Henry Fuseli, published 1. It is unknown exactly when A Midsummer Night's Dream was written or first performed, but on the basis of topical references and an allusion to Edmund Spenser's Epithalamion, it is usually dated 1. Some have theorised that the play might have been written for an aristocratic wedding (for example that of Elizabeth Carey, Lady Berkeley), while others suggest that it was written for the Queen to celebrate the feast day of St. John. No concrete evidence exists to support this theory.

The Game of Thrones Finale Wasn't Perfect, But It Made the Season a Hell of a Lot Better. After six episodes that have been incredible, infuriating, revealing, confusing, and epic, last night’s Game of Thrones finale had a great many things to answer for.

They were the answers needed to help recalibrate the show’s uneven seventh season so it ended up greater than the sum of its inconsistent parts—even if that doesn’t equal the show’s best seasons.“The Wolf and the Dragon” had its own problems to be sure—one in particular made me want to actually scream in irritation—the main one of which was its surprising lack of surprises. If you’ve been paying a decent amount of attention, you didn’t have to hunt out hacker leaks to form a pretty good idea of what was going to go down in the season finale, but for me, that somehow didn’t make it any less satisfying. If you’re a book reader, you know how the show, having advanced beyond George R. R. Martin’s novels, has been partially satiating our hunger by sporadically giving us the scenes we’ve guessed and hoped were coming. The finale was packed with these scenes, like a Thanksgiving dinner—you know what the meal is going to consist of, but it’s still a feast. It began with a meeting—The Meeting, really—where most all the show’s principal characters came together in the Dragonpit of King’s Landing for Jon Snow’s almost certainly unfeasible attempt to convince Cersei Lannister to help fight the White Walkers and their army of wights. There were three daises set up on the floor of the shattered arena where the Targaryens once imprisoned their dragons.

The people sitting in them are as follows: • Cersei, Jaime, Qyburn, Euron Greyjoy, and the Mountain• Jon Snow, Davos, and Brienne• Daenerys, Tyrion, Jorah, Missandei, Varys, and Theon. And, after several tense moments and several even more tense conversations, there is one person in the center of the all: The Hound, who carries a giant chest by himself. When he opens it, nothing happens—no movement, so sound. And when he kicks the chest over, the wight inside bursts out growling, and runs right for Cersei. In terms of showing the woman who currently sits on the Iron Throne of the threat that lies beyond the Wall, it honestly couldn’t have worked out any better if they planned it (and it almost makes you wonder if they did).

Sandor Clegane yanks the wight’s chain back at the last second, so Cersei gets the most horrifying look possible. When the wight’s attention is focused on him, Sandor cuts the wight in two at the waist, allowing Cersei to see both halves trying to crawl towards someone to attack them. When the Hound cuts off a hand, Jon Snow picks it up to demonstrate the wights’ weakness to fire—then stabs the torso with a dragonglass dagger, demonstrating its other weakness. All in all, Jon makes his case—so effectively, in fact, that Euron asks Jon if the dead can swim. When he answers no, Euron says (and I’m paraphrasing), “I.

Am. Outta here.” He announces that he and his fleet are heading back to the Iron Islands, and leaving everyone on the mainland to die. Cersei also recognizes the horrific threat the living face, but she agrees to Daenerys’ request for a truce, and that she’ll send her forces north to fight with Winterfell and Daenerys’ Unsullied and Dothraki to fight the enemy of all of them. If Jon Snow, King of the North, agrees to stay up north and at no point take his soldiers anywhere near the eventual war between herself and Daenerys.

Jon explains he can’t do that… because he’s already bent the knee to Daenerys. And Cersei storms out of the Dragonpit.

Jon tells the truth, and dooms humanity. It was as infuriating a moment as anything I’ve ever seen on Game of Thrones. Oh, I know Jon has his honor, and his desire to always do the right thing has gotten him into trouble before, trouble that includes being murdered by his own men.

But this moment… this is beyond the pale. Knowing the truth would end the nascent truce, negating everything they’d worked so hard for, rendering the death of Dany’s dragon meaningless, and indirectly consigning god knows how many inhabitants of Westeros to death, Jon tells the truth anyway. Davos is pissed. Tyrion is pissed. Daenerys is extra pissed. Jon gives a pretty little speech about how lying is bad and people need to keep their word and blah blah, which might have had an ounce of weight to it if heal so hadn’t been talking for seasons about how the war against the White Walkers was the only thing that matters, nothing else—including Jon’s goddamn honor.

Everyone on Team Daenerys and Team Stark knows it, but Jon doesn’t. It’s a decision so stupid, even for a Stark, it feels like it almost erases everyone’s development over the course of the entire series, like it reset everyone back to the beginning of season one. But the worst thing about it isn’t how dumb it is, but because it’s so selfish—a truth told for his own self- righteousness and self- image, and nothing else, because it certainly doesn’t benefit anyone else. In fact, it leads directly to Tyrion making his own terrible decision: To go see Cersei, the sister who’s tried to have him killed at least twice (that he knows of!), by himself and convince her to return to negotiations. Last week, in my recap of “Beyond of Wall,” I used the headline “Game of Thrones Is at Its Best and Worst Right Now.” I was referring to the show’s powerful ability to give us amazing, epic fantasy scenes unlike anyone has ever before tried of television. What I wasn’t referring to was the show’s original strength—giving us characters of depth, but also scenes between these characters, usually just talking to one another, that made them and Westeros rich and real and so captivating that even people who think stories about dragons and made- up places are dumb have gotten completely invested in the series. Tyrion’s reunion with Cersei is one of those scenes, and, somewhat surprisingly, powered by the characters’ honesty wth each other.

Cersei’s still mad that Tyrion killed their father, but more upset that he left the Lannister family so vulnerable that their enemies felt bold enough to kill Myrcella and wrest control of King’s Landing from her, eventually leading to Tommen’s suicide. Tyrion explains the reason he follows Daenerys is because she actually wants to make the world a better place, while Cersei only cares about her ever- shrinking list of who she considers family. Tyrion baits Cersei and tells her to have the Mountain, looming behind him, to kill him (when Cersei doesn’t, he pours himself a large glass of wine). Cersei reveals she’s pregnant. The two will never love each other, but they end up making their own sort of truce together. Or so it seems. “The Wolf and the Dragon” is filled with these sorts of wonderful, character- driven scenes, more than the entire rest of the season put together.

It’s as if season seven was sprinting through the plot for the first six episodes, in order to make sure it had plenty of time for these scenes after virtually all the main characters got together in one place. I’d argue Tyrion and Cersei’s reunion is the highlight of the episode, but here’s a few more of them, some large, some small, all gratifying: Brienne discovers the Hound is still alive, and the two of them share a small smile over what an ass- kicker Arya has become. Tyrion gets a few moments with Bronn (reminding him of his eternal offer to him: “I’ll pay double”) and his former squire Podrick.

The Hound reunites with his undead big brother the Mountain—“You’re uglier than I am now”—and postpones Clegane bowl to another day, although he declares the day is indeed coming. Euron waits until the meeting starts and immediately interrupts to call out Theon, announcing he’ll kill Yara if Theon doesn’t surrender, annoying literally everyone else in the Dragonpit.