Torrentz will always love you. Farewell. © 2003-2016 Torrentz. Kilauea; Mount Etna; Mount Yasur; Mount Nyiragongo and Nyamuragira; Piton de la Fournaise; Erta Ale. Nu există cu adevărat o realitate obiectivă: pentru oricare ființă umană, singura realitate este ceea ce ea trăiește, ceea ce ea simte. Title Director Cast Country Subgenre/Notes; 2000: 2000 AD: Gordon Chan: Aaron Kwok, Phyllis Quek, Daniel Wu: Action thriller: The 6th Day: Roger Spottiswoode: Arnold.

Song of Myself. Won't you help support Day. Poems? 1. 81. 9- 1.

I celebrate myself, and sing myself. And what I assume you shall assume. For every atom belonging to me as good belongs to you. I loafe and invite my soul. I lean and loafe at my ease observing a spear of summer grass. My tongue, every atom of my blood, form'd from this soil, this air. Born here of parents born here from parents the same, and their.

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I, now thirty- seven years old in perfect health begin. Hoping to cease not till death.

Creeds and schools in abeyance. Retiring back a while sufficed at what they are, but never forgotten. I harbor for good or bad, I permit to speak at every hazard.

Nature without check with original energy. Houses and rooms are full of perfumes, the shelves are crowded with. I breathe the fragrance myself and know it and like it. The distillation would intoxicate me also, but I shall not let it.

The atmosphere is not a perfume, it has no taste of the. It is for my mouth forever, I am in love with it. I will go to the bank by the wood and become undisguised and naked. I am mad for it to be in contact with me.

The smoke of my own breath. Echoes, ripples, buzz'd whispers, love- root, silk- thread, crotch and vine. My respiration and inspiration, the beating of my heart, the passing. The sniff of green leaves and dry leaves, and of the shore and. The sound of the belch'd words of my voice loos'd to the eddies of. A few light kisses, a few embraces, a reaching around of arms.

The play of shine and shade on the trees as the supple boughs wag. The delight alone or in the rush of the streets, or along the fields. The feeling of health, the full- noon trill, the song of me rising. Watch Chinese Zodiac Online Facebook on this page. Have you reckon'd a thousand acres much? Have you practis'd so long to learn to read?

Have you felt so proud to get at the meaning of poems? Stop this day and night with me and you shall possess the origin of.

You shall possess the good of the earth and sun, (there are millions. You shall no longer take things at second or third hand, nor look through. You shall not look through my eyes either, nor take things from me.

You shall listen to all sides and filter them from your self. I have heard what the talkers were talking, the talk of the. But I do not talk of the beginning or the end. There was never any more inception than there is now.

Nor any more youth or age than there is now. And will never be any more perfection than there is now. Nor any more heaven or hell than there is now. Urge and urge and urge. Always the procreant urge of the world.

Out of the dimness opposite equals advance, always substance and. Always a knit of identity, always distinction, always a breed of life.

To elaborate is no avail, learn'd and unlearn'd feel that it is so. Sure as the most certain sure, plumb in the uprights, well. Stout as a horse, affectionate, haughty, electrical. I and this mystery here we stand.

Clear and sweet is my soul, and clear and sweet is all that is not my soul. Lack one lacks both, and the unseen is proved by the seen. Till that becomes unseen and receives proof in its turn. Showing the best and dividing it from the worst age vexes age. Knowing the perfect fitness and equanimity of things, while they. I am silent, and go bathe and admire myself.

Welcome is every organ and attribute of me, and of any man hearty and clean. Not an inch nor a particle of an inch is vile, and none shall be.

I am satisfied- -I see, dance, laugh, sing. As the hugging and loving bed- fellow sleeps at my side through the night. Leaving me baskets cover'd with white towels swelling the house with. Shall I postpone my acceptation and realization and scream at my eyes. That they turn from gazing after and down the road. And forthwith cipher and show me to a cent. Exactly the value of one and exactly the value of two, and which is ahead?

Trippers and askers surround me. People I meet, the effect upon me of my early life or the ward and. I live in, or the nation. The latest dates, discoveries, inventions, societies, authors old and new. My dinner, dress, associates, looks, compliments, dues. The real or fancied indifference of some man or woman I love. The sickness of one of my folks or of myself, or ill- doing or loss.

Battles, the horrors of fratricidal war, the fever of doubtful news. These come to me days and nights and go from me again. But they are not the Me myself. Apart from the pulling and hauling stands what I am. Stands amused, complacent, compassionating, idle, unitary. Looks down, is erect, or bends an arm on an impalpable certain rest.

Looking with side- curved head curious what will come next. Both in and out of the game and watching and wondering at it. Backward I see in my own days where I sweated through fog with.

I have no mockings or arguments, I witness and wait. I believe in you my soul, the other I am must not abase itself to you. And you must not be abased to the other. Loafe with me on the grass, loose the stop from your throat.

Not words, not music or rhyme I want, not custom or lecture, not. Only the lull I like, the hum of your valved voice. I mind how once we lay such a transparent summer morning.

How you settled your head athwart my hips and gently turn'd over upon me. And parted the shirt from my bosom- bone, and plunged your tongue. And reach'd till you felt my beard, and reach'd till you held my feet. Swiftly arose and spread around me the peace and knowledge that pass. And I know that the hand of God is the promise of my own. And I know that the spirit of God is the brother of my own.

And that all the men ever born are also my brothers, and the women. And that a kelson of the creation is love. And limitless are leaves stiff or drooping in the fields. And brown ants in the little wells beneath them. And mossy scabs of the worm fence, heap'd stones, elder, mullein and.

A child said What is the grass? How could I answer the child? I do not know what it is any more than he. I guess it must be the flag of my disposition, out of hopeful green. Or I guess it is the handkerchief of the Lord.

A scented gift and remembrancer designedly dropt. Bearing the owner's name someway in the corners, that we may see. Whose? Or I guess the grass is itself a child, the produced babe of the vegetation. Or I guess it is a uniform hieroglyphic. And it means, Sprouting alike in broad zones and narrow zones.

Growing among black folks as among white. Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I. And now it seems to me the beautiful uncut hair of graves. Tenderly will I use you curling grass.

It may be you transpire from the breasts of young men. It may be if I had known them I would have loved them.

It may be you are from old people, or from offspring taken soon out. And here you are the mothers' laps. This grass is very dark to be from the white heads of old mothers. Darker than the colorless beards of old men. Dark to come from under the faint red roofs of mouths. O I perceive after all so many uttering tongues. And I perceive they do not come from the roofs of mouths for nothing.

I wish I could translate the hints about the dead young men and women. And the hints about old men and mothers, and the offspring taken. Watch Down And Dangerous Online IMDB there. What do you think has become of the young and old men?

And what do you think has become of the women and children? They are alive and well somewhere. The smallest sprout shows there is really no death. And if ever there was it led forward life, and does not wait at the. And ceas'd the moment life appear'd. All goes onward and outward, nothing collapses.

And to die is different from what any one supposed, and luckier. Has any one supposed it lucky to be born? I hasten to inform him or her it is just as lucky to die, and I know it. I pass death with the dying and birth with the new- wash'd babe, and.

And peruse manifold objects, no two alike and every one good. The earth good and the stars good, and their adjuncts all good. I am not an earth nor an adjunct of an earth. I am the mate and companion of people, all just as immortal and. They do not know how immortal, but I know.).

The Lady (2. 01. 1 film) - Wikipedia. The Lady is a French- British biographical film directed by Luc Besson,[6] starring Michelle Yeoh[7] as Aung San Suu Kyi and David Thewlis[8] as her late husband Michael Aris.[9] Yeoh called the film "a labour of love" but also confessed it had felt intimidating for her to play the Nobel laureate.[1.

In 1. 94. 7, when Aung San Suu Kyi is two years old, her father Aung San leads Burma to independence. But soon afterwards, on 1.

July 1. 94. 7, he along with a group of his colleagues is assassinated by a group of armed men in uniform.[1. As an adult Suu Kyi goes to England, finds a loving husband, and has a happy family life. But in 1. 98. 8 her mother's poor health forces her to return to Burma where her father, Aung San, is still widely remembered. When she visits her mother in the hospital in 1. Tatmadaw's crackdown in the 8. Uprising. She realises that political change is needed in Burma and is soon drawn into the movement to promote reform.[1.

She accepts the role of icon in support of self- determination by the Burmese people and devotes herself to activities in support of goals of greater political freedoms.[1. Suu Kyi founds a political party and clearly wins the 1. However, the Burmese military refuse to accept the result of the election and move to bring Suu Kyi under control. She and her family become separated when her husband and children are banned from Burma and she is put under a house arrest for more than a decade.[1. Yet their relentless struggling for Suu Kyi's recognition outside Burma is her guarantee she won't be forgotten and cannot disappear unnoticed. Due to her family's efforts, she becomes the first woman in Asia to be awarded the Nobel Peace Prize. Yet their separation continues because Suu Kyi can neither attend the ceremony nor can her husband Michael Aris see her one last time before his early death.

Background[edit]. Aung San Suu Kyi appears in public after her release on 1. November 2. 01. 0Rebecca Frayn began working on the project after she and her husband, producer Andy Harries had visited Burma in the early 1. Harries' production company Left Bank Pictures began development of the script in 2. Harries wanted Michelle Yeoh as the lead and had the script sent to her.[1. The actress was thrilled because she had always wanted to play Suu Kyi.[1.

She visited London to meet the couple.[1. The script was as British as its origin, telling the story solely from Michael Aris' perspective but Michelle Yeoh claimed she brought an Asian insight to it.

Her husband Jean Todt (who later on also accompanied the project as accredited producer) encouraged her to contact his country fellowman and friend Luc Besson.[1. Besson accepted the script immediately as an opportunity for him to finally present a real life heroine, a female fighter who wields no other weapons than her human virtues.[2.

During the shooting of the film, news broke that Aung San Suu Kyi's house arrest had been lifted. Luc Besson hesitated to believe what he saw on TV because it looked so much like his recent footage.[2.

Yeoh visited Suu Kyi soon afterwards.[2. She would say later it had been like visiting a dear family member.[2. When they discussed the film the actress got the feeling she was still on the film set because Luc Besson had recreated the house so accurately.[2. Aung San Suu Kyi even gave her a hug.[2. On 2. 2 June 2. 01. Yeoh wanted to visit Suu Kyi a second time but was deported from Burma, reportedly over her portrayal of Aung San Suu Kyi.[2.

This time Besson was allowed to meet Suu Kyi.[2. Suu Kyi said she would hesitate to watch the film because she wasn't too sure to be up to it already, although she asked for a copy.[2. Authenticity[edit]Writer Rebecca Frayn interviewed a number of Suu Kyi's confidants and based her screenplay on the testimonies.[3.

Some supporters provided Flynn information only because she wouldn't disclose these sources, and her work was openly appreciated by Suu Kyi's brother- in- law Anthony Aris.[3. To portray Suu Kyi, Michelle Yeoh watched about two hundred hours of audiovisual material on Suu Kyi and took lessons in Burmese.[3. Her talent for languages is evident when she delivers Suu Kyi's historic speeches in Burmese.[3. The actress had refreshed her skills as a piano player.[3. Despite always having been petite, Michelle Yeoh evidently lost weight to embody Suu Kyi whose son had stressed that his mother was slimmer than Yeoh.[3. As Yeoh told the New York Post, the silk and cotton costumes she wears are Burmese.[3.

Luc Besson stated later Michelle Yeoh "had perfected Suu Kyi's appearance and the nuances of her personality to such an extent that the lines between the real human being and the portrayed character blurred when they crossed in real life".[3. Under director Luc Besson's helm, his crew also pursued accuracy. Even the cardinal directions were respected when Suu Kyi's home was rebuilt, so that the audience would see the sunrise in the same way as Suu Kyi. Based on satellite images and about 2. Luc Besson himself went to Burma, scouted locations and filmed in disguise.[4.

To achieve authenticity Luc Besson engaged many Burmese actors and extras. Some of them, like Thein Win, re- enacted their personal memories.[4. Once or twice the filming of a scene had to stop because Michelle Yeoh's performance of a speech (in Burmese) elicited outbursts of emotion among extras who had originally heard Suu Kyi.[4. Co- producer Andy Harries concentrated on substantiating the British part of his wife's script.

He achieved authenticity of the happy time in Suu Kyi's life, when she lived with her family in the United Kingdom. Their flat was also recreated on a sound stage, although the film includes scenes shot on location in front of the house itself.[4. The scenes showing Michael Aris as a dying cancer patient were also shot on location in the actual hospital.[4. Distribution[edit]The Lady had its world premiere on 1. September 2. 01. 1 at the 3. Toronto International Film Festival. On 2. 9 October 2.

Doha Tribeca Film Festival.[4. Watch My Sister`S Keeper Online My Sister`S Keeper Full Movie Online on this page. Cohen Media Group, the US distributor of the film, had a one- week limited Academy Engagement theatrical run in Los Angeles during 2–8 December 2.

Moreover, there was an exclusive screening at the Asia Society in New York.[1. Mongrel Media released the film in Canada on 6 April 2. The European premiere took place when the film served as opening film of the Rome Film Festival on 2. October 2. 01. 1.[4.

In the UK The Lady was distributed by Entertainment Film Distributors.[1. It was distributed by Europa. Corp throughout Continental Europe. In Germany's cinemas the film opened on 1. March.[4. 9]In Asia The Lady was closer of the International Hua Hin Film Festival where Michelle Yeoh declared she planned on visiting Burma again.[4.

The screening had such a packed house that eventually a second screen was provided.[5. On 2 February 2. 01. Thailand and Singapore.[5. On 3 February it had its premiere in Hong Kong, followed by a theatrical release on 9 February.[5. In Burma, a great number of pirated versions are distributed privately.[5.

Reception[edit]The film received mixed reviews, generally negative in the west, but stronger in the east. English critics often appreciated the efforts of the leading actress, Michelle Yeoh, and the performance of English actor David Thewlis while criticising director/producer Luc Besson. American critics joined the criticism of Luc Besson. In Asia, the reception was more positive.

Review aggregation website Rotten Tomatoes gave the film 1. United States. Roger Ebert gave it two and a half stars, citing the strength of Michelle Yeoh and David Thewlis' performances but suggesting that Besson should have stayed away from the biopic genre.[5.

Keith Uhlich (Time Out Chicago) described The Lady as a dutifully crafted biopic.[5.