Emma Swan Once Upon a Time Wiki. Upon return to Storybrooke, Emma reenters the diner from the entrance, putting on a cold mask towards her confused family and friends. Seeing Mr. Clark wearing her trademark red jacket, Emma callously questions who he is supposed to be, and out of annoyance, she turns him to stone. Regina threatens to fulfill what Emma asked her to do if she ever went too far, but Emma reveals she has the dagger now. To keep Hook's secret under wraps, Emma lies to the group, professing she will punish them for what they did to her. The Dark Swan", "The Price", "Broken Heart")Hearing Henry summon her, Emma magically appears at the dock, where she warmly greets him and moves to touch his hand, but he pulls away.

This is a specific corner of the website dedicated to the discussion of the current situation with Harry Knowles and AICN. The Man Who Saved Movies.

74 Comments. Brother Nathanael March 8, 2016 @ 10:30 pm. Watch My Latest Video Worldwide & In All EU Countries CENSOR FREE: “Will Trump Be Denied The Nomination?”.

In an effort to keep the Daily Open Thread a little more open topic we are going to start a new daily thread for “Presidential Politics”. Please use this thread. MRC is a diversified global media company with operations in filmed entertainment, television programming and original digital content. The company is the industry. Live Feed, a Hollywood entertainment news blog, covers breaking television show news and provides TV Nielsen ratings analysis.

Recalling what she had said last night, Henry apologizes for failing her, but Emma assures him that she meant everyone except him. Regina approaches, telling her to get away from her son, while Emma coolly stands her ground.

Orion Pictures Corporation is an American motion picture producer and distributor that produced and released films from 1978 until 1999, and was also involved in. Eat, Drink and Be Buried is Muse Entertainment’s fourth installment in the popular franchise Gourmet Detective starring Dylan Neal (Cedar Cove, Fifty Shades of Grey. Emma Swan, also known as the Savior and the Greatest Light, formerly as the Dark One or the Dark.

When Regina questions her about the memory wipe, Emma admits she removed those memories for a reason, causing Regina to vow that she will retrieve them no matter what. However, Emma confidently points out it's impossible as she built new curse to be unbreakable since there's no savior to undo it.

Later, Emma appears before Hook, who accidentally calls her, before she whisks him to the front of her new house. She invites him in, playfully stating that they can still be together, and gives him a drink.

He has other ideas, however, and kisses her. Much to his despair, true love's kiss doesn't work on her, but Emma insists it failed because she doesn't need fixing as she has accepted who she is now. Hook refuses to accept this and asks what happened in Camelot, though Emma dances around the question, citing that it'd be no fun to give him a straight answer.

She tries to charm him into staying, but Hook leaves. That night, Regina confronts Emma about the fury that has kidnapped Robin because of an unpaid price of magic, asking her to call the creature off, but Emma reveals Regina is the one who didn't pay the price.

With growing agitation, she challenges Regina to be the savior and do what needs to be done. After Regina defeats the fury and the townspeople are having a night out at the diner, Emma watches from across the street before leaving. At home, Emma sees Rumplestiltskin, who tells her that her weaknesses, such as her need to protect her loved ones, will always hold her back, as they did with all the other Dark Ones that came before her, but she can snuff out the light. He leads her to the basement, where Excalibur is buried in the stone, tempting her to unite the sword with the dagger to be rid of any hope of light inside her. Watch Online Watch Cuatro Dolares De Venganza Full Movie Online Film here.

Emma attempts to pull the sword out, only to be thrown back by a barrier, as Rumplestiltskin cackles that she must pay a price first before extracting the sword. The Price")In the mines, Emma surprises the dwarves by stealing Happy's ax, which she uses to try and unearth Excalibur from the stone, but instead, it breaks the ax. Prompted by Rumplestiltskin, she sets out to find a certain hero to pull it out. Somehow, Emma discovers Belle is making a healing spell to wake Mr.

Gold, but the last ingredient must be something that once touched him when he wasn't the Dark One yet. Suspecting Hook may have it, Emma orders a takeout from Granny's with a note asking him to meet her on his ship. Below deck, she apologizes to him for how she behaved last time and asks him to have lunch with her. In an instant, Emma magically sets up their meal and changes herself into the same dress and hairstyle she had on their first date.

As the ship sets sail by Emma's magical influence, Hook gets straight to the point, asking what is behind the door in her house. When she doesn't answer, Hook notes she is not the old Emma, as the person he knew didn't play games. Emma affirms she is better as the Dark One, free of her past closed- minded and judgmental personality, and suggests they can move forward together if he is willing.

Hook is appalled at this, to which she exemplifies Mr. Gold, who used to be a coward and didn't find true love until becoming the Dark One. Recalling that Hook told her about how Mr.

Gold had groveled at him, Emma believes that Mr. Gold became better after the change. Hook owns up to being the villain in that situation, and he explains how he had pointed a sword at Mr. Gold, who was a good man trying to keep his family together, and becoming the Dark One made him evil and manipulative, while Hook himself changed for the better. Emma changes the subject, taking the sword, and tries to remind him of how she taught him to swordfight in the alternate reality.

Tired of her games, Hook calls her out for wanting something from him. Showtime Full High Life Online Free more. She asks if he loves her, promising to leave if he doesn't, but he states he loved her, causing her to depart shortly after.

When Mr. Gold is close to waking from his coma, Emma kidnaps him to her house basement, where she crushes the sword over him to complete the healing spell. Once he awakens, she reveals her plans about making him a hero. Siege Perilous")While in her home basement, Emma twirls a middlemist rose in her hand, while an imprisoned Mr. Gold tries to sympathize with her about knowing what the darkness feels like. He insists she needn't give into it and should set him free, but Emma reasons that he is the only one who can get the sword for her. He has doubts about being the hero she wants, though she hints there is a secret weapon to help him become that hero.

She then goes to her car that is hidden in a tunnel, where she approaches Merida, who is tied to the front of the vehicle. After magically undoing Merida's binds, Emma rips out her heart, commanding the redhead to fetch her bow from the car. Emma then explains her plan to have Merida make a coward brave. The Broken Kingdom")Afterwards, Emma returns to free Mr.

Gold, who continues to try and persuade her out of her plan, warning that no matter how good her intentions, she'll always lose her loved ones in the end. Emma considers his words for a moment, before ordering Merida to take Mr. Gold into the woods to begin making him a hero, as she herself enters a nearby shed, which is filled with hanging dreamcatchers. Taking down one particular dreamcatcher, which belongs to Violet, she clutches it to her chest and cries. Hoping to amend what she did to Violet six weeks ago in Camelot, Emma purposely releases the girl's horse, Nicodemus, so Henry can find it and earn Violet's admiration. Instead, Henry seeks Emma's help to track down the horse, while she remains unaware he is deliberately distracting her, giving Regina and the others time to search her house. Upon entering the yellow bug, Henry tells Emma about how he won over Violet with Yaz's "Only You", the same song Neal had used on Emma.

Learning Nicodemus likes pumpkin, Emma takes her son to a pumpkin market, Peter Peter's, where the horse is hiding. With some patience from Henry, the horse calms down, allowing the boy to grab its reins. That night, Emma turns up on Regina's doorstep, asking to see Henry. Regina confronts her about what she did to Violet, and when Emma expresses anger at her unearthing the truth, the brunette considers that anything with the Dark One is always a manipulation. Emma argues she took Violet's heart with good reason, to which Regina compares her to Cora, who did horrible things with "good reason". Emma insists she didn't have a choice, though Regina recalls Emma has said many times there is always a choice. Pushed to her limit, Emma reveals it was the only way to free Merlin.

Regina then questions why she is still the Dark One if they freed the sorcerer, but Emma refuses to say and instead asks again for Henry. Regina refuses, closing the door, and as Emma walks away, she stops to look at the second floor window, where Henry briefly meets her gaze before closing the curtains. Dreamcatcher")Once Merida has pushed Mr.

Orion Pictures - Wikipedia. Orion Pictures Corporation is an American motion picture producer and distributor that produced and released films from 1. It was formed in 1. Warner Bros. and three former top- level executives of United Artists. Although it was never a large motion picture producer, Orion achieved a comparatively high reputation for Hollywood quality.[5]Woody Allen, James Cameron, Jonathan Demme, Oliver Stone, and several other prominent directors worked with Orion during its most successful years from 1. Of the films distributed by Orion, four won Academy Awards for Best Picture: Amadeus (1. Platoon (1. 98. 6), Dances with Wolves (1.

The Silence of the Lambs (1. Two other Orion films, Hannah and Her Sisters (1. Mississippi Burning (1.

In 2. 01. 3, Metro- Goldwyn- Mayer revived the Orion name for television; a year later, Orion Pictures was relaunched by the studio. History[edit]Beginnings: 1. In January 1. 97.

Transamerica (TA)- owned studio United Artists (UA) – Arthur B. Krim (chairman), Eric Pleskow (president and chief executive officer), and Robert S.

Benjamin (chairman of the finance committee) - quit their jobs. Krim and Benjamin had headed UA since 1.

Change had begun once Transamerica purchased UA in 1. Krim and TA chairman Jack Beckett regarding the studio's operations. Krim suggested spinning off United Artists into a separate company, which was rejected by Beckett.[6]The last straw came for Pleskow when he refused to collect and deliver the medical records of UA department heads to Transamerica's offices in San Francisco for the sake of confidentiality. The tensions only worsened when Fortune magazine reported an article on the clash between UA and TA, in which Beckett had stated that if the executives disliked the parent company's treatment of them, they should resign.[6] Krim, Benjamin, and Pleskow quit United Artists on January 1. William Bernstein and Mike Medavoy three days later. The week following the resignations, according to the website Reference for Business, "6. Hollywood figures took out an advertisement in a trade paper warning UA that it had made a fatal mistake in letting the five men leave.

The 'fatal mistake' came true following the box office disaster of Heaven's Gate"[7] which led to Transamerica washing its hands of the movie business by selling UA to Metro- Goldwyn- Mayer, so that the name of Transamerica wouldn't be tarnished.[8]In February 1. Warner Bros. The executives formed Orion Pictures Company, named after the constellation, which they claimed had five main stars (it actually has seven/eight). The new company intended only to finance projects, giving the filmmakers complete creative autonomy; this ideal was implemented with great success at United Artists. Orion held a $1. 00 million line of credit, and its films would be distributed by the Warner Bros.

Orion, however, was contractually given free rein over distribution and advertising, as well as the number and type of films the executives chose to invest in.[9]In late March 1. Orion signed its first contract; a two- picture deal with John Travolta's production company. Contracts with actress and director Barbra Streisand; actors James Caan, Jane Fonda, Peter Sellers, Jon Voight, and Burt Reynolds; directors Francis Ford Coppola and Blake Edwards; writer/director John Milius; singer Peter Frampton; and producer Ray Stark soon materialized.[7][1. Orion also developed a co- financing and distribution deal with EMI Films.[7] To quote Reference for Business: "By the end of its first year, the company had put 1. Orion a solid reputation from the very beginning. In 1. 97. 9, Benjamin died.

Orion's first film, A Little Romance,[1. April that year. That year, Orion released Blake Edwards' 1. Edwards in over a decade (aside from installments of The Pink Panther franchise).

Other films released in that period included Caddyshack; The Great Santini, a critically praised but underpromoted adaptation of a Pat Conroy novel; and Promises in the Dark. Out of the 2. 3 films Orion released between April 1. December 1. 98. 1, only a third of them made a profit.[1. Orion executives were conflicted over financing big- budgeted films and passed on Raiders of the Lost Ark for that reason.[1. Acquisition of Filmways: 1.

By early 1. 98. 2, Orion had severed its distribution ties with Warner. As part of the deal, the rights to Orion's films made up to that point were sold to Warner. Orion was now looking to have its own distribution network by acquiring another company with such capabilities.

The four partners looked into Allied Artists and Embassy Pictures[1. Filmways.[1. 5] Orion subsequently purchased Filmways and reorganized the flailing company. New employees were hired and all of Filmways' non- entertainment assets (Grosset & Dunlap and Broadcast Electronics) were sold off.[7][1. On August 3. 1, 1. Filmways was renamed as Orion Pictures Corporation. Another result of the merger was that Orion entered television production. Orion's biggest TV hit was Cagney & Lacey, which lasted seven seasons on CBS.

In 1. 98. 3, Orion Pictures introduced art- house division Orion Classics with executives who had previously run United Artists Classics.[1. Problems arise: 1. According to Reference for Business: "Of the first 1. Orion Pictures Corporation, ten had been profitable, five had broken even, and three had losses of less than $2 million."[7] One such film, Francis Ford Coppola's The Cotton Club, was mired in legal troubles and Orion lost $3 million of its investment.[7] '"We've had some singles and doubles [but haven't] had any home runs," lamented Krim.[7] In September 1.

Orion distributed Amadeus, which garnered many accolades, winning eight Academy Awards, including Best Picture.[7]For Orion, 1. All but two films, Desperately Seeking Susan and Code of Silence, made less than $1.

United States box office, including an unsuccessful attempt at a James Bond- type franchise, Remo Williams: The Adventure Begins.[7] Orion's haphazard distribution channels and unsuccessful advertising campaigns made it impossible to achieve a hit. Another factor was that Orion was about to venture into the video business and stopped selling off home use rights to its films. Furthermore, production of the Rodney Dangerfield comedy Back to School was put on hold when a co- producer died, taking the film off of its Christmas 1. In January 1. 98.

Mario Kassar and Andrew Vajna, producers of the Rambo films (the first film, First Blood, was distributed by Orion) attempted to buy $5. Anabasis. Had they succeeded, Kassar and Vajna would have controlled the board and laid off every executive save for Krim.[1. Warburg Pincus subsequently limited its 2. Orion to 5%; the remaining stocks were acquired by Viacom International.[7] Viacom hoped to use Orion's product for its pay- TV channel Showtime.[1. Orion expanded into home video distribution with the formation of Orion Home Entertainment Corporation.[7]Metromedia era: 1. On May 2. 2, 1. 98. Metromedia, a television and communications company controlled by billionaire (and a friend of Krim's) John Kluge, purchased a 6.

Orion. Kluge's investment in the company came at the right time- Back to School was a success and ultimately earned $9. By March 1. 98. 7, the studio's fortunes increased dramatically with a succession of critical and commercial hits, including Platoon (which ultimately won a Best Picture Oscar), Woody Allen's Hannah and Her Sisters, and the sports film Hoosiers.

Orion's 1. 98. 6 offerings totaled 1. Academy Award nominations, more than any other studio.[7] 1. Orion achieved further success with Robo. Cop, and No Way Out.[7] By this time, Orion's television division had expanded into the lucrative syndicated game show market under the name Century Towers Productions, in reference to Orion's street address at the time. It produced revivals of format inherited from Heatter- Quigley Productions after the Filmways merger (as Filmways had previously acquired HQ in the late 1.